Music from Finland #11
[00:40 - 00:42]
This is music from Finland.
[00:42 - 01:02]
Classical contemporary and folk music from the Sabbat is Festival and the 50th
[01:02 - 01:07]
anniversary of Finnish independence celebration in a series revealing some of the current
[01:07 - 01:11]
musical activity in Finland. There's a Buddhist festival of
[01:11 - 01:16]
965 in the 50th anniversary celebration of 1967.
[01:16 - 01:21]
Presented considerable quantities of music by outstanding composers other than so bad yes
[01:21 - 01:26]
and from a wide variety of historical periods. There are also several Illustrated
[01:26 - 01:32]
lectures documenting interesting aspects of today's Finnish musical culture.
[01:32 - 01:37]
This second series of programs of music from Finland is based on recordings supplied by the Finnish
[01:37 - 01:42]
Broadcasting Company for production by the University of Michigan.
[01:42 - 01:46]
Today's broadcast features works by on Sabbat useful male choir
[01:46 - 01:51]
and chamber music by the contemporary Finnish composer. Only Sunday night
[01:51 - 01:58]
the Mayo choir as academies cussing for joining in and it is open I schooled him for dining and
[01:58 - 02:03]
conducted by Eric Beck mine are heard first the opening work is seen to
[02:03 - 02:08]
mean a lot to words by Alexis key and the second chorus bears
[02:08 - 02:12]
the title sort of a name two words from consulates are
[02:12 - 02:16]
two songs for male choir by young Sabbat Yes.
[02:16 - 02:29]
You're
[02:29 - 02:36]
you're alone.
[02:36 - 02:47]
You all.
[02:47 - 03:10]
Own.
[03:10 - 03:11]
Old
[03:11 - 03:24]
soul.
[03:24 - 03:27]
You're all all over
[03:27 - 03:32]
the
[03:32 - 03:39]
globe on the issue of.
[03:39 - 04:48]
The.
[04:48 - 05:11]
Los
[05:11 - 05:20]
Lobos Los
[05:20 - 05:29]
Lobos.
[05:29 - 05:37]
Los.
[05:37 - 05:41]
Lobos.
[05:41 - 05:53]
All over
[05:53 - 06:12]
Los Lobos.
[06:12 - 06:30]
The end.
[06:30 - 06:35]
Of. It was
[06:35 - 06:42]
to all over the.
[06:42 - 07:03]
A.
[07:03 - 07:37]
Rick Baird mom has conducted the male choirs in two songs by yawns a
[07:37 - 07:39]
bit yes.
[07:39 - 07:44]
The remaining portion of today's broadcast is devoted to the performance of a chamber music
[07:44 - 07:49]
composition for oboe violin cello and Jumbo by the young
[07:49 - 07:54]
Finnish composer Alice Salim and Southern men born in
[07:54 - 07:59]
1035 studied at the academy from 955 to
[07:59 - 08:03]
960 under adiabatic CONTO and beyond us coconut
[08:03 - 08:09]
in 1950 he was graduated with a diploma in composition upon
[08:09 - 08:13]
graduation he assumed the post of manager for the Finnish Radio Symphony Orchestra
[08:13 - 08:19]
and in 1953 he was appointed teacher of counterpoint to the submitted Yes
[08:19 - 08:24]
Academy summit and has taken an active part in several
[08:24 - 08:28]
musical organizations in 1961. He assumed a two year
[08:28 - 08:33]
chairmanship of the Finnish section of the International Society of chamber
[08:33 - 08:37]
musicians and he has been secretary of the society of Finnish composers.
[08:37 - 08:44]
So an INS work which we're about to hear but throw up at Quatro was
[08:44 - 08:49]
composed for a somewhat different if not unusual combination of instruments oboe
[08:49 - 08:53]
violin and cello and it's in four sections.
[08:53 - 08:58]
And although the composer has written in the so-called contemporary idiom he has done
[08:58 - 09:01]
so with artistic and aesthetic restraint.
[09:01 - 09:07]
Lars Oakland is oboist to almost hop in and his violinist
[09:07 - 09:11]
colleague Autumn is just and the market is jumble lest
[09:11 - 09:16]
they when I perform all this sonnet ends chamber composition.
[09:16 - 09:46]
What drove that what drove.
[09:46 - 09:46]
Him.
[09:46 - 11:05]
And. That.
[11:05 - 11:09]
Didn't end. The
[11:09 - 11:12]
looting and. Burning.
[11:12 - 11:42]
It. Was.
[11:42 - 12:28]
Above.
[12:28 - 12:29]
Us.
[12:29 - 16:06]
Oh.
[16:06 - 16:36]
Yes.
[16:36 - 16:46]
Yes.
[16:46 - 16:50]
I mean.
[16:50 - 17:15]
Yes. Yes. Yes.
[17:15 - 17:17]
Yes.
[17:17 - 18:39]
Well.
[18:39 - 18:40]
Well.
[18:40 - 19:58]
19.
[19:58 - 23:18]
Whatever. How did.
[23:18 - 23:23]
You.
[23:23 - 23:57]
Know.
[23:57 - 23:57]
That.
[23:57 - 24:14]
Oh.
[24:14 - 25:08]
Three.
[25:08 - 25:13]
Young.
[25:13 - 25:18]
Men and. I
[25:18 - 25:27]
mean.
[25:27 - 25:37]
He knew.
[25:37 - 25:44]
Everything and within a.
[25:44 - 25:44]
Week.
[25:44 - 27:45]
That was quite drop that throw my chamber composition by a young Finnish
[27:45 - 27:46]
composer.
[27:46 - 27:52]
I only played that.
[27:52 - 27:55]
Union room.
[27:55 - 28:00]
Thanks now.
[28:00 - 28:07]
With
[28:07 - 28:10]
now the WOW
[28:10 - 28:17]
IT WHEN. You were.
[28:17 - 28:17]
With.
[28:17 - 28:44]
Thank.
[28:44 - 28:48]
You I've been listening to music from Finland classical contemporary and folk
[28:48 - 28:53]
music from the sebaceous festival and the 50th anniversary of Finnish independence
[28:53 - 28:58]
celebration in a series reviewing some of the current musical activity in
[28:58 - 29:03]
Finland. This second series of programs of music from Finland is
[29:03 - 29:08]
based on recordings supplied by the Finnish Broadcasting Company for production by the
[29:08 - 29:18]
University of Michigan.
[29:18 - 29:35]
With three.
[29:35 - 29:40]
Worth throwing a.
[29:40 - 29:45]
Program was written and produced by Honeywell over at Burroughs speaking and if I have to listen again at this
[29:45 - 29:50]
same time next week for another program on music. From then.
[29:50 - 29:53]
This is the national educational. Radio Network.
🔍
This program has been transcribed using automated software tools, made possible through a collaboration between the American Archive of Public Broadcasting and Pop Up Archive. Please note that no automated transcription is perfect nor is it intended to replace human transcription labor. If you would like to contribute corrections to this transcript, please contact MITH at mith@umd.edu.