The art of Emanuel Feuermann Dvorak, Chopin-Feuermann, and Valensin, part 2
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Mary Mary.
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Whew.
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Mm hmm.
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It is.
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It is.
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The eat meat
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you eat.
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Again.
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Her her.
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A game.
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A I.
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Didn't pick.
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On.
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You have heard a recording of the divorce Cello Concerto in B-flat major opus
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104 performed by Emmanuel for Yemen and the Berlin State Opera Orchestra
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conducted by Michael Tao. The recording was made in one thousand twenty eight.
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Next I would like to play for you a formal recording made in the United States
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subsequent to his assuming residence here in 1038 disappointments
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arrangement of Chopin's Polonaise brilliant for cello and piano Opus 3.
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For human use this piece to close many of the solo recitals along with an arrangement
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he had made a public historicity of violin solo party audio which to my
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knowledge for him and never recorded the Chopin came to be a popular tour de force.
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This brief recording appeared in my eyes as the mature bitch was sick of musical capabilities are for human
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although as any cellist will testify this arrangement is prodigiously difficult.
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He plays it as lightly and as easily as the finest violinist might play it.
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Here also are some characteristic for human traits that make each of his recording so
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easily identifiable. His beautifully smooth but broader
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expressive and never so carefully placed slides the touch of sharpness occasionally
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applied either to enhance the brilliance of a passage or to underline the music's lyric and
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romantic elements Chopin's Polonaise brilliant for
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cello and piano Opus 3 with women and a front group at the piano.
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But.
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I am.
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As an encore I would like to play the final side of the album containing the divorce our cello
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concerto and presumably made at the same recording session. It is a performance
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by 4am and other balance and minuet with Michael Talbot at the piano.
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And and and
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and.
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Next time we will present a recording made in England of the Schubert arpeggio only Sonata
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with Gerald Moore at the piano and the justly famous recording of the Brahms Double
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Concerto with Yasha hype it and the Philadelphia Orchestra.
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Eugene Ormandy conducting your host for this
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program the second in a series of six devoted to the art of a manual for Amman
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was cellist Seymour Itzkoff a member of the Department of Education at Smith
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College. This program was prepared for broadcast by the Eastern educational
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radio network at the Amherst studios A for college radio WFC
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are a broadcasting service of Amherst College Mount Holyoke College
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Smith College and the University of Massachusetts.
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This program was distributed by a national educational radio. This is the
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national educational radio network.
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This program has been transcribed using automated software tools, made possible through a collaboration between the American Archive of Public Broadcasting and Pop Up Archive. Please note that no automated transcription is perfect nor is it intended to replace human transcription labor. If you would like to contribute corrections to this transcript, please contact MITH at mith@umd.edu.