Detroit Symphony Orchestra Hindemith, Falla, and Brahms, part 1
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National Educational radio presents another in a series of broadcasts of regular subscription
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concerts especially selected from the archives of the Detroit Symphony Orchestra.
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Recorded by the 100 man organization and its permanent home. The Henry and so forth
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auditorium located in Detroit's Civic Center. The
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programs in the series are being produced by the University of Michigan broadcasting service for national
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educational radio. And to a grant in aid from the National Home Library Foundation
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and in cooperation with management of the orchestra Committee of the symphony and the Detroit
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Federation of Musicians.
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Concerts in the series of 13 broadcasts of being conducted by Sexton elling fall
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prey and vulture pool. Today's programme is of
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special interest because we will hear our conductor seeks to narrowing also in the role of soloist as
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he performs in the Hindu theme and variations before temperaments for piano in
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straight years. Following this first work of the program will be defying as three
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dances from the ballet the three cornered hat. In today's broadcast will conclude with the Symphony
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Number two by Brock. Our
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soloist and conductors Easton Elling is now in his fourth season as the music director and
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conductor of the Detroit Symphony. He made his American debut there in the fall of
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1961 and was immediately reengaged for a six weeks period as guest
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conductor during the 1062 and 63 season. Mr Allen has appeared
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as a guest conductor with the officers of Minneapolis St. Louis Chicago Cleveland Los Angeles
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Cincinnati and Philadelphia is a native of Mamo Sweden and a
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student of the Royal Academy of Music in Stockholm where he studied piano and organ.
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His conducting career began at the Dresden State Opera where he worked with Carl Berman.
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In 1040. He embarked upon a 20 year association with the Royal Opera in Stockholm.
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And in 153 he was appointed honorary cork conductor at the Royal Palace.
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Today's broadcast opens with Paul Hindemith's theme with variations the four temperaments for
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piano and strains in which Mr. elling will both conduct and be the featured soloist.
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The work was conceived by the composer as a setting for a ballet. But before the plot it evolved
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the ballet project was abandoned and the music when first published in 1040 bore
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no reference to any ballet program. The variations were premier by members of the
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Boston Symphony in September of 1044 with Lucas FOSS as pianist.
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The Detroit Symphony Orchestra now performs Paul hint about its theme and variations. The
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four temperaments for piano and strings 16 elling will conduct and
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also be heard as soloist.
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You're.
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The One.
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The but.
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The and.
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The and.
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The IT.
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The.
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Sure.
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Hold.
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On. One
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thing.
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Look.
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The boy.
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In the.
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Hole.
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But the. Atm.
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The end.
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Thank.
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You.
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The old. You.
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The S. Or
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Lou.
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Lou.
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Lou. Lou.
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Lou Lou.
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You.
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Man.
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Do you. Think.
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And.
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And.
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You are.
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To me.
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When.
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And.
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Thanks to. The conductor.
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So.
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Just heard an intimate theme and variations of the four temperaments for
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piano and strings by the Detroit Symphony Orchestra.
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This program has been transcribed using automated software tools, made possible through a collaboration between the American Archive of Public Broadcasting and Pop Up Archive. Please note that no automated transcription is perfect nor is it intended to replace human transcription labor. If you would like to contribute corrections to this transcript, please contact MITH at mith@umd.edu.