Music from Rochester Program 65 of 65

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This is music from Rochester a series of concerts be courted at the Eastman School of Music of the
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University of Rochester. Music from Rochester is made available to national educational
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radio by Xerox Corporation and station WB f b.
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Rochester New York. And now to tell us about tonight's concert. Here is our
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host Richard feat.
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This week Richard Fried of the University of Rochester at the Eastman School of Music introducing another
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Eastman School concert in our series of performances by students soloists and
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ensembles at these men school. Tonight's program brought to you through the
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cooperation of the Rochester musicians Association local 66 of the American Federation of
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Musicians is a concert by the Eastman Philharmonia under the direction of
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Willis page. The program includes the Rite of Spring by Igor
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Stravinsky and three staples of the basic repertory Beethoven's Fifth
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Symphony and Leonore overture number three and Paul do cuz scared so the Sorcerer's
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Apprentice. The Leonora overture number three is the last of the
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four overture as Beethoven wrote for his only opera the Fidelio overture in
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E-flat is the one used as a curtain raiser while the three Leonora overture is
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all in C Major have simply entered the concert repertory in their own right. The third
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is also of course traditionally performed between the two scenes of the second act of the opera.
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It's a compact powerful tone poem summing up the drama of the opera
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and including a reference to florist on the Indus they've been free to start again.
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Here is the music now the Leonora over juror number three Opus 70 to 80 of
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Beethoven. Willis page conducting the Eastman Philharmonia.
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In the book.
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Accountable.
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Iraq.
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Thank.
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You.
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Her.
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You.
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Know who.
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You. Are.
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Lou.
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Low.
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Ah.
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Milk.
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The B.
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The beyond. Where.
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You.
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Are.
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The but.
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What.
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Is. The
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purpose. Yeah.
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The old.
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The old.
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Why.
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Beethoven's Leonora overture number three he played by the Eastman Philharmonia under the
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direction of Willis page in any listing of
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the basic repertory the basic symphony would have to be the Beethoven fifth.
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Its familiarity is so taken for granted in fact that it really isn't programmed with anything like the frequency
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one might expect when one does hear it. The reasons for its basic position are
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brilliantly clear and we feel hear it now. The four movements of the Beethoven
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Symphony Number 5 in C Minor Opus 67 Willis page
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conducting the Eastbourne Philharmonia.
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Man.
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I.
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Can't.
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The boy.
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The boy.
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The boy.
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The
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boy.
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Man.
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Man.
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Oh.
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